3.10 Baroque Instrumental Music

dance in compound meter, typically ending a suite

passages of music separating the subject entries, providing contrast even though they have subject-derived motives

the start of the fugue- all voices present the subject in a standardized way

self contained section of music that is part of a larger work

improvised solo passages showing off the talent of virtuosos, found in many concertos, often at the end of the 1st Mvt

second subject that fits in counterpoint w/the first

turning the melody of the subject upside down and inverting all intervals

simple dance in triple time at a moderate tempo

a polyphonic composition for a fixed number of instrumental lines or voices- has a subject

slow and intricate dance in triple time with accents on the first and second beats of the measure

collection of miscellaneous dances, all in the same key

just for listening, not for dancing