Unit 7: Harmony and Voice Leading IV: Secondary Function

It is usually a major chord built on the ________ of the target chord.

In ________, the fifth of the secondary dominant can be omitted if necessary to avoid voice leading errors.

________ and prefixes are added to chord symbols to indicate their function in a progression.

Key that is not the primary key of a piece of music but is used temporarily to create a sense of tension or contrast

The note that becomes the new tonal center when a secondary key is used

Keys that share many of the same notes as the primary key

Dominant chord that is not in the primary key but is used to tonicize a chord in a secondary key

A chord that functions as the dominant of a chord other than the tonic

A type of resolution in which the leading tone of a chord resolves upwards to the tonic

A type of resolution in which the leading tone of a chord resolves downwards to a note other than the tonic

A type of resolution in which the leading tone of a chord resolves to a chord other than the expected tonic

A harmonic motion that leads the listener to expect a certain chord, but instead, a different chord is played

A technique where a deceptive cadence is used to establish a new key

• V/V (the dominant of the dominant)

• V/ii (the dominant of the supertonic)

• V/IV (the dominant of the subdominant)

"7" and "maj7"

"I" and "V"

• Its relative minor

• The keys a fifth above and a fifth below

• The parallel minor

• Its relative major

• The keys a fifth above and a fifth below

• The parallel major