Onomatopoeia
A word that imitates the sound it describes. Adds excitement, action, and interest.
Vowels
a, e, i, o, u, sometimes w, y
Semivowels
f, h, j, l, m, n, r, s, v, w, c, g, z. Contribute to a fluidity that is euphonious.
Mutes
k, p, t, b, d, q, c. Creates a harsher sound that is cacophonous
Alliteration
Repetition of initial consonant sounds.
Assonance
Repetition of vowel sounds. Creates rhythm and has a flow-on effect. Gives a piece a lyrical effect. Sounds pleasing.
Consonance
Repetition of consonant sounds. Slows down the reading process and encourages repetition of a group of words.
Euphony
the quality of being pleasing to the ear through a harmonious combination of words.
Cacophony
A harsh discordant mixture of sounds.
Explosive consonants
Mute followed by a vowel. Creates a cacophonous effect
Liquid consonants
l, m, n, r. Creates a fluidity that is euphonious.
Prosody
The metrical composition of a poem.
Scansion
Analyzing the arrangement of stressed and unstressed syllables.
Iamb
metrical foot consisting of one unstressed syllable followed by one stressed syllable. Mimics human natural speech patterns
Trochee
metrical foot consisting of one stressed syllable followed by one unstressed syllable. Disrupts the rhythm of a poem and emphasizes the point.
Dactyl
a metrical foot consisting of one stressed syllable followed by two unstressed syllables. Creates a heavy and grandiose tone.
Anapest
a metrical foot consisting of two unstressed syllables followed by one stressed syllable. Gives poems a naturally jaunty and buoyant feeling that helps the words flow freely.
Spondee
A metrical foot containing two stressed syllables. Changes the rhythm of a line. Interrupts the metrical composition of the poem.
Caesura
A break between words within a metrical foot. Provides a place to take a breath or adds a dramatic flair.
Iambic pentameter
5 metric feet within an iambic line. Mimics normal human speech patterns. Used by Shakespeare.
Effect longer line
suggest great power or scope since they go beyond ordinary lung capacity
Effect shorter line
convey agitation, restlessness, excitement
Important places on the line
The end and the beginning of a line, when the line turns so as to interrupt the logical phrase (speeds up line)
True Rhyme
Rhyme in which the final accented vowel and all succeeding consonants or syllables are identical. Holds poems together by giving continuity and creates echoes back to earlier words.
Slant Rhyme
Rhyming words have similar, yet not identical vowel sounds. Catches the reader by surprise and subverts their expectations, delivering a satisfyingly unexpected twist.
Turning the line - Enjambment
When the line turns so as to interrupt the logical phrase. Impels the reader forward by inciting curiosity.
Turning the line - Self-enclosed
A line that is an entire sentence or a grammatically & logically complete phrase.
Couplet
Two lines of verse, usually in the same meter and joined by rhyme. Create a kind of beat and rhythm that can be used to create repetition and emphasis.
Tercet
A group of three lines of verse. (Italian Sonnet). Builds momentum that pushes the narrative forward.
Quatrain
A stanza with four lines. Allows for a fuller expression of ideas.
Shakespearean/English Sonnet
3 quatrains with a concluding couplet. Develops a sense of progression within the poem.
Italian/Petrarchan Sonnet
An eight line stanza and a six line stanza with: ABBABBA and CDCDCD or CDECDE. First stanza presents problem and second stanza presents the solution.
Free Verse
Poetry that does not rhyme of have a regular meter. Form is defined by feelings and letting the language dictate the terms of the poem itself.
Connotation
An idea or feeling that a word invokes.
Denotation
The dictionary definition of a word.
Imagery
Visually descriptive language.
Simile
Comparison using "like" or "as"
Metaphor
Comparison without "like" or "as"
Personification
The attribution of a personal nature of human characteristics to something non-human.
Allusion
Making an indirect reference.
Metonymy
The substitution of the name of an attribute or adjunct for that of the thing meant. Creates concrete and vivid images in place of generalities.
Synecdoche
A part made to represent the whole or vice versa. Emphasizes the certain parts of a whole.
Apostrophe
A speech to a person who is not present or to a personified object. To personify something not living.
Aspirates
c, f, g, h, j, s, x. Contribute to a fluidity that is euphonious.