Poetry Unit AP Lit

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Onomatopoeia

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Tags and Description

44 Terms

1

Onomatopoeia

A word that imitates the sound it describes. Adds excitement, action, and interest.

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2

Vowels

a, e, i, o, u, sometimes w, y

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3

Semivowels

f, h, j, l, m, n, r, s, v, w, c, g, z. Contribute to a fluidity that is euphonious.

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4

Mutes

k, p, t, b, d, q, c. Creates a harsher sound that is cacophonous

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5

Alliteration

Repetition of initial consonant sounds.

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6

Assonance

Repetition of vowel sounds. Creates rhythm and has a flow-on effect. Gives a piece a lyrical effect. Sounds pleasing.

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7

Consonance

Repetition of consonant sounds. Slows down the reading process and encourages repetition of a group of words.

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8

Euphony

the quality of being pleasing to the ear through a harmonious combination of words.

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9

Cacophony

A harsh discordant mixture of sounds.

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10

Explosive consonants

Mute followed by a vowel. Creates a cacophonous effect

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11

Liquid consonants

l, m, n, r. Creates a fluidity that is euphonious.

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12

Prosody

The metrical composition of a poem.

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13

Scansion

Analyzing the arrangement of stressed and unstressed syllables.

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14

Iamb

metrical foot consisting of one unstressed syllable followed by one stressed syllable. Mimics human natural speech patterns

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15

Trochee

metrical foot consisting of one stressed syllable followed by one unstressed syllable. Disrupts the rhythm of a poem and emphasizes the point.

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16

Dactyl

a metrical foot consisting of one stressed syllable followed by two unstressed syllables. Creates a heavy and grandiose tone.

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17

Anapest

a metrical foot consisting of two unstressed syllables followed by one stressed syllable. Gives poems a naturally jaunty and buoyant feeling that helps the words flow freely.

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18

Spondee

A metrical foot containing two stressed syllables. Changes the rhythm of a line. Interrupts the metrical composition of the poem.

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19

Caesura

A break between words within a metrical foot. Provides a place to take a breath or adds a dramatic flair.

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20

Iambic pentameter

5 metric feet within an iambic line. Mimics normal human speech patterns. Used by Shakespeare.

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21

Effect longer line

suggest great power or scope since they go beyond ordinary lung capacity

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22

Effect shorter line

convey agitation, restlessness, excitement

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23

Important places on the line

The end and the beginning of a line, when the line turns so as to interrupt the logical phrase (speeds up line)

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24

True Rhyme

Rhyme in which the final accented vowel and all succeeding consonants or syllables are identical. Holds poems together by giving continuity and creates echoes back to earlier words.

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25

Slant Rhyme

Rhyming words have similar, yet not identical vowel sounds. Catches the reader by surprise and subverts their expectations, delivering a satisfyingly unexpected twist.

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26

Turning the line - Enjambment

When the line turns so as to interrupt the logical phrase. Impels the reader forward by inciting curiosity.

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27

Turning the line - Self-enclosed

A line that is an entire sentence or a grammatically & logically complete phrase.

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28

Couplet

Two lines of verse, usually in the same meter and joined by rhyme. Create a kind of beat and rhythm that can be used to create repetition and emphasis.

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29

Tercet

A group of three lines of verse. (Italian Sonnet). Builds momentum that pushes the narrative forward.

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30

Quatrain

A stanza with four lines. Allows for a fuller expression of ideas.

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31

Shakespearean/English Sonnet

3 quatrains with a concluding couplet. Develops a sense of progression within the poem.

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32

Italian/Petrarchan Sonnet

An eight line stanza and a six line stanza with: ABBABBA and CDCDCD or CDECDE. First stanza presents problem and second stanza presents the solution.

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33

Free Verse

Poetry that does not rhyme of have a regular meter. Form is defined by feelings and letting the language dictate the terms of the poem itself.

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34

Connotation

An idea or feeling that a word invokes.

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35

Denotation

The dictionary definition of a word.

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36

Imagery

Visually descriptive language.

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37

Simile

Comparison using "like" or "as"

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38

Metaphor

Comparison without "like" or "as"

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39

Personification

The attribution of a personal nature of human characteristics to something non-human.

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40

Allusion

Making an indirect reference.

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41

Metonymy

The substitution of the name of an attribute or adjunct for that of the thing meant. Creates concrete and vivid images in place of generalities.

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42

Synecdoche

A part made to represent the whole or vice versa. Emphasizes the certain parts of a whole.

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43

Apostrophe

A speech to a person who is not present or to a personified object. To personify something not living.

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44

Aspirates

c, f, g, h, j, s, x. Contribute to a fluidity that is euphonious.

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