Chapter 22: Early- and Mid-Twentieth-Century Art

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73 Terms
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Abstract

works of art that may have form, but have little or no attempt at pictorial representation

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Action painting

an abstract painting in which the artist drips or splatters paint onto a surface like a canvas in order to create the work

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Assemblage

a three-dimensional work made of various materials such as wood, cloth, paper, and miscellaneous objects

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Biomorphism

a movement stressing organic shapes that hint at natural forms

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Cantilever

a projecting beam that is attached to a building at one end, but suspended in the air at the other

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Collage

a composition made by pasting together different items onto a flat surface

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Color field painting

a style of abstract painting characterized by simple shapes and monochromatic color

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Documentary photography

a type of photography that seeks social and political redress for current issues by using photographs as a way of exposing society’s faults

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Earthwork

a large outdoor work in which the earth itself is the medium

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Ferroconcrete

steel reinforced concrete; the two materials act together to resist building stresses

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Happening

an act of performance art that is intially planned but involves spontaneity, improvisation, and often audience participation

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Harlem Renaissance

a particularly rich artistic period in the 1920s and 1930s that is named after the African-American neighborhood in New York City where it emerged.

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Installation

a temporary work of art made up of assemblages created for a particular space, like an art gallery or a museum

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Mobile

a sculpture made of several different items that dangle from a ceiling and can be set into motion by air currents

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Neoplasticism

a term coined by Piet Mondrian to describe works of art that contain only primary and neutral colors and only straight, vertical, or horizontal lines intersecting at right angles

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Photomontage

The technique of creating an image by combining photographs, sometimes with other materials, to form a unified image

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Ready-made

a commonplace or found object selected and exhibited as a work of art

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Silkscreen

a printing technique that passes ink or paint through a stenciled image to make multiple copies

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Venice Biennale

a major show of contemporary art that takes place every other year in various venues throughout the city of Venice; begun in 1895

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Fauvism

An art movement that debuted in 1905 at Salon d’Automne in Paris.

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Die Brüke

formed by a group of German artists in Dresden in 1905, after being inspired by the Fauve movement in Paris.

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Der Blaue Reiter

a group formed in Munich in Germany, 1911; they began to move towards abstraction, forsaking representational art.

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Cubism

Art movement that originated in Pablo Picasso's studio in 1907.

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Les Demoiselles d'Avignon

first Cubist painting

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Analytical

The _____ phase of Cubism (1907-1912) was highly experimental and featured jagged edges and multifaceted lines.

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Synthetic

The _______ Cubism (after 1912) was inspired by collages and found objects and featured flattened forms.

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Curvilinear

The ______ Cubism (in the 1930s) was a more flowing, rounded response to the flattened forms of Synthetic Cubism.

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Gallery 291

the most progressive gallery in the United States, showcasing photographs as works of art beside avant-garde European paintings and modern American works.

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Dada

It is a word that means "hobby horse" and refers to an art movement that existed from 1916 to 1925 in various cities.

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World War I

Dadaists were disillusioned by the pointlessness of _____ and rejected traditional art methods and exhibitions.

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Surrealists

they were influenced by the psychological studies of Freud and Jung and aimed to represent the unseen world of dreams, subconscious thoughts, and unspoken communication.

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Andre Breton

The surrealism movement started with the theories of ______ in 1924 and went in two directions

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Constructivists

They were known for experimenting with new architectural materials and assembling them in a way that lacked historical reference.

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De Stijl

paintings of this movement are completely abstract, with titles that don't reference nature, and are painted on a white background with black lines shaping rectangular spaces.

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Prairie School of architecture

refers to a group of architects who worked in Chicago from 1900 to 1917, with Frank Lloyd Wright being the most famous.

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Cantilever

________ construction was used by Wright to extend porches and terraces from the main structure, giving the impression of weightless anchors holding up forms hovering over open space.

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International Style

It is greatly influenced by the streamlined qualities of the Bauhaus. The style celebrates the clean, spacious, white lines of a building's façade.

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Mexican Muralists

These didactic paintings feature a clear message that is presented in an easy-to-read format. The topics mainly support labor and working-class struggle, and they usually have a socialist goal.

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Abstract Expressionism

Sometimes called The New York School. It developed as a reaction against artists like Mondrian, who took the Minimalist approach to abstraction.

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Color field painting

It relies on subtle tonal values that are often variations of a monochromatic hue.

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Pop Art

It uses materials from everyday life, such as consumer goods and famous singers. glorifies the commonplace and brings attention to everyday reality.

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Site Art

Sometimes called Earth Art; it is dependent on its location to render full meaning.

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<p>Gold Fish</p>
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<p>Gold Fish</p>

Gold Fish

  • By Henri Matisse (1912)

  • Still-life painting.

  • Admired the relaxed and contemplative lifestyle of the Moroccans

  • Strong contrasts of color.

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<p>Improvisation 28 (2nd Version)</p>
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<p>Improvisation 28 (2nd Version)</p>

Improvisation 28 (2nd Version)

  • By Vassily Kandinsky (1912)

  • Kandinsky depicts cataclysmic events and a sense of spiritual salvation.

  • Kandinsky’s works have a relationship to atonal music, which was evolving at this time.

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<p>Self-Portrait as a Soldier</p>
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<p>Self-Portrait as a Soldier</p>

Self-Portrait as a Soldier

  • By Ernst Ludwig Kirchner (1915)

  • Main figure has a drawn face, with a cigarette hanging loosely from his lips.

  • He is wearing the uniform of his field artillery regiment.

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<p>Memorial Sheet for Karl Liebknecht</p>
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<p>Memorial Sheet for Karl Liebknecht</p>

Memorial Sheet for Karl Liebknecht

  • By Käthe Kollwitz (1919–1920)

  • Wood-block print.

  • Stark black and white of the woodcut used to magnify the grief.

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Berlin Spartacus League

Liebknecht was among the founders of the _____, which became the German Communist Party.

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Spartacus Revolt

In 1919, Liebknecht was shot to death during a Communist uprising in Berlin called the _____ (named for the slave who led a revolt against the Romans in 73 B.C.E.).

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<p>Les Demoiselles d’Avignon</p>
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<p>Les Demoiselles d’Avignon</p>

Les Demoiselles d’Avignon

  • By Pablo Picasso (1907)

  • Depicts five prostitutes in a bordello in Avignon Street in Barcelona, each posing for a customer.

  • This is the first cubist work, influenced by late Cézanne and perhaps African masks

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<p>The Portuguese</p>
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<p>The Portuguese</p>

The Portuguese

  • By Georges Braque (1911)

  • Clear-edged surfaces at the front of the picture plane, not recessed in space.

  • Analytical Cubism; An exploration of shapes

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<p>The Kiss</p>
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<p>The Kiss</p>

The Kiss

  • By Constantin Brancusi (1907–1908)

  • Symbolic, almost Cubist rendering of the male and female bodies.

  • Requested by John Quinn

  • This is the fourth stone version of this subject

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Steerage

the part of a ship reserved for passengers with the cheapest tickets.

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<p>The Steerage</p>
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<p>The Steerage</p>

The Steerage

  • By Alfred Stieglitz (1907)

  • Depicts the poorest passengers on a ship traveling from the United States to Europe in 1907

  • Published in October 1911 in Camera Work.

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<p>Fountain</p>
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<p>Fountain</p>

Fountain

  • By Marcel Duchamp (1917/1950)

  • readymade glazed sanitary china with black paint

  • an experimental replay by Duchamp, testing the commitment of the new American Society to freedom of expression and tolerance of new conceptions about art.

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<p>Object (Le Dejéuner en fourrure)</p>
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<p>Object (Le Dejéuner en fourrure)</p>

Object (Le Dejéuner en fourrure)

  • By Meret Oppenheim (1936)

  • Combination of unalike objects: fur-covered teacup, saucer, and spoon.

  • A contrast of textures

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<p>The Two Fridas</p>
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<p>The Two Fridas</p>

The Two Fridas

  • By Frida Kahlo (1939)

  • Two hearts are joined together by veins that are cut by scissors at one end and lead to a portrait of her husband

  • Blood on her lap suggests many abortions and miscarriages

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<p>The Jungle</p>
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<p>The Jungle</p>

The Jungle

  • By Wifredo Lam (1943)

  • Crescent-shaped faces suggest African masks and the god Elegua.

  • The work addresses the history of slavery in colonial Cuba.

  • This work was “intended to communicate a psychic state.”

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<p>Illustration from The Results of the First Five-Year Plan</p>
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<p>Illustration from The Results of the First Five-Year Plan</p>

Illustration from The Results of the First Five-Year Plan

  • By Varvara Stepanova (1932)

  • Graphic art for political and propaganda purposes; a photomontage.

  • Illustrates Five-Year Plan

  • Influenced by Cubism and Futurism.

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Five-Year Plan

  • Soviet practice of increasing agricultural and industrial output in five years.

  • Launched in 1928, considered complete in 1932.

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<p>Composition with Red, Blue and Yellow</p>
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<p>Composition with Red, Blue and Yellow</p>

Composition with Red, Blue and Yellow

  • By Piet Mondrian (1930)

  • Only primary colors used—red, yellow, and blue—plus the neutral colors, white and black.

  • The artist is interested in the material properties of paint, not naturalistic depictions.

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<p>Fallingwater</p>
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<p>Fallingwater</p>

Fallingwater

<ul><li><p>By Frank Lloyd Wright (1936–1939)</p></li><li><p>contains a glass curtain wall around three of the four sides; the building embraces the woods around it.</p></li><li><p>the floor and the walls of building are made from the stone of the area.</p></li><li><p>Cantilevered steel-supported porches extend over a waterfall.</p></li></ul>
  • By Frank Lloyd Wright (1936–1939)

  • contains a glass curtain wall around three of the four sides; the building embraces the woods around it.

  • the floor and the walls of building are made from the stone of the area.

  • Cantilevered steel-supported porches extend over a waterfall.

<ul><li><p>By Frank Lloyd Wright (1936–1939)</p></li><li><p>contains a glass curtain wall around three of the four sides; the building embraces the woods around it.</p></li><li><p>the floor and the walls of building are made from the stone of the area.</p></li><li><p>Cantilevered steel-supported porches extend over a waterfall.</p></li></ul>
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<p>Villa Savoye</p>
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<p>Villa Savoye</p>

Villa Savoye

  • By Le Corbusier (1929)

  • Boxlike horizontal quality; an abstraction of a house.

  • A three-bedroom country house with servants’ quarters on the ground floor.

  • Built in suburban Paris as a retreat for the wealthy.

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<p>Seagram Building</p>
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<p>Seagram Building</p>

Seagram Building

  • By Ludwig Mies van der Rohe and Philip Johnson (1954–1958)

  • 38-story corporate headquarters of the Seagram Liquor Company.

  • Minimalist architecture.

  • A triumph of the International Style of architecture.

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<p>The Migration of the Negro, Panel no. 49</p>
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<p>The Migration of the Negro, Panel no. 49</p>

The Migration of the Negro, Panel no. 49

  • By Jacob Lawrence (1940–1941)

  • The work illustrates the collective African-American experience; therefore, there is little individuality in the figures.

  • Negroes escaping the economic privation of the South.

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<p>Dream of a Sunday Afternoon in the Alameda Park</p>
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<p>Dream of a Sunday Afternoon in the Alameda Park</p>

Dream of a Sunday Afternoon in the Alameda Park

  • By Diego Rivera (1947–1948)

  • 50-foot-long fresco, 13 feet high.

  • Three eras of Mexican history depicted from left to right

  • Depicts a who’s who of Mexican politics, culture, and leadership

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<p>Woman I</p>
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<p>Woman I</p>

Woman I

  • By Willem de Kooning (1950–1952)

  • Ferocious woman with great fierce teeth and huge eyes.

  • Combination of stereotypes

  • Influenced by everything from paleolithic goddesses to pin-up girls.

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<p>The Bay</p>
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<p>The Bay</p>

The Bay

  • By Helen Frankenthaler (1963)

  • Painted directly on an unprimed canvas; canvas absorbs the paint more directly.

  • Use of landscape as a starting point, a basis for imagery in the works.

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<p>Marilyn Diptych</p>
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<p>Marilyn Diptych</p>

Marilyn Diptych

  • By Andy Warhol (1962)

  • The public face appears sequentially as if on a roll of film.

  • Fifty images from a film still from a movie, Niagara

  • public face appears highlighted by bold, artificial colors.

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<p>Lipstick (Ascending) on Caterpillar Tracks</p>
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<p>Lipstick (Ascending) on Caterpillar Tracks</p>

Lipstick (Ascending) on Caterpillar Tracks

  • By Claes Oldenburg (1969–1974)

  • Intended as a platform for public speakers; rallying point for anti-Vietnam-era protests.

  • antiwar symbolism

  • themes of death, power, desire, and sensuality.

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<p>Narcissus Garden</p>
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<p>Narcissus Garden</p>

Narcissus Garden

  • By Yayoi Kusama (1966)

  • The viewer is reflected seemingly into infinity in the mirrored surfaces.

  • The installation later moved to water, where the floating balls reflect the natural environment

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<p>Spiral Jetty</p>
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<p>Spiral Jetty</p>

Spiral Jetty

  • By Robert Smithson (1970)

  • A coil of rock placed in a part of the Great Salt Lake that is in an extremely remote and inaccessible area.

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Jetty

It is usually a pier extending into the water; here it is transformed into a curl of rocks sitting silently in a vast, empty wilderness.

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<p>House in New Castle County</p>
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<p>House in New Castle County</p>

House in New Castle County

  • By Robert Venturi, John Rauch, and Denise Scott Brown (1978–1983)

  • The house was designed for a family of three.

  • Rural location in low hills, grassy fields of Delaware.

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