ADN 111 Basic Terms

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Visual Literacy

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Graphic Arts

48 Terms

1

Visual Literacy

The understanding and interpretation of visual images and their meaning.

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2

Parallel Design Techniques

The use of similar design techniques in both physical and digital mediums.

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3

Principles of 2-dimensional Design

The fundamental concepts that guide the arrangement and composition of visual elements in a two-dimensional space, including balance, emphasis, contrast, and rhythm.

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4

Balance

The distribution of visual weight across an image to create a sense of equilibrium.

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5

Emphasis

The size relationship between elements in a design to highlight the most important element and create a focal point.

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6

Contrast

The use of different elements or values to create variety and draw attention to important elements in a design.

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7

Rhythm

The repetition and flow of visual elements to create a sense of movement and guide the viewer's eye through the design.

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8

Symmetrical Balance

A type of balance where the weight of elements is evenly distributed across and within the format, creating a sense of harmony.

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9

Asymmetrical Balance

A type of balance where elements are arranged in an unbalanced manner to create contrast and visual interest.

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10

Grid Systems

A tool used in design to bring visual structure and balance to a composition by organizing and presenting information in a systematic way.

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11

Dominant Element

The most important element in a design that stands out and attracts the viewer's attention.

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12

Accent

A secondary point of emphasis in a design that supports the dominant element and contributes to the overall unity of the composition.

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13

High Contrast

The use of strong differences in value or color to create a powerful visual impact and draw attention to specific elements.

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14

Subtle Contrast

The use of subtle differences in value or color to create a sense of depth and add visual interest to a design.

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15

Rhythm in Design

The repetition of visual elements to create a sense of movement and flow in a composition.

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16

Repetition

The use of repeated elements in a design to create a sense of unity and rhythm.

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17

Invisible Roadmap

The guiding path created by the arrangement of visual elements in a design that leads the viewer's eye through the composition.

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18

Rhythm

A variation of rhythm is used to create interest in design.

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19

Repetition

Repetition can create texture and interest in a design.

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20

Color

Color is a key element in graphic design and can have different meanings in different cultures.

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21

Hue

Hue refers to the quality that distinguishes one color from another.

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22

Tone

Tone refers to the brightness or darkness of a color.

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23

Chroma

Chroma refers to the saturation or intensity of a color.

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24

Color Wheel

A color wheel is an organization of color hues that shows relationships between primary, secondary, and tertiary colors.

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25

Tint

A tint is created by lightening a color by adding white.

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26

Shade

A shade is created by darkening a color by adding black.

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27

Tone

A tone is created by adding gray to a color.

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28

Content

Content refers to the subject matter or words in a design.

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29

Form

Form is the visual aspect and utilization of the principles and elements of design.

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30

Shape

A shape is a line that is closed and has width, height, and an inside and outside.

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31

Positive Space

Positive space refers to the figure or shape in a composition.

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32

Negative Space

Negative space refers to the background or ground in a composition.

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33

Geometric Shapes

Geometric shapes are defined within mathematical parameters, such as circles, squares, and triangles.

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34

Organic Shapes

Organic shapes are formed in nature and can be undefined or geometric in form.

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35

Man-Made Shapes

Man-made shapes are found in architecture, clothing, and artwork.

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36

Lines

Marks that span a distance between two points or the path of a moving point.

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37

Marks

Created when a pencil is placed on a piece of paper, they create contrast, mass, balance, value, and other effects.

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38

Contour line

An outline or internal line that defines the shape or form of an object.

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39

Descriptive lines

Lines that serve the purpose of describing something in the real world.

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40

Boundaries

Lines used to define the shape of an object.

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41

Passive lines

Lines that are not physically present but separate shapes.

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42

Implied lines

Lines that are suggested or psychological rather than physical.

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43

Speed of the line

The perceived speed of a line, which can be influenced by thickness and direction.

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44

Thick line

A line that appears slower in direction.

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45

Thin line

A line that appears faster in direction.

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46

Horizontal line

A line that appears more peaceful.

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47

Vertical line

A line that appears less peaceful.

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48

Diagonal line

A line that gives the most action.

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