Chapter 8 - Harmonic Composition 1: Fundamentals

Road map- The ________ of the menu of chord member choices, appropriate doublings, and resolutions.

The ________, alto, and tenor need to have an available range of two octaves.

Part- writing- It requires knowledge of melody, interval, triads, seventh chords, cadences, ________, figured bass, chromatic harmony, resolution tendencies, counterpoint, and progressional norms.

It requires knowledge of melody, interval, triads, seventh chords, cadences, non-chord tones, figured bass, chromatic harmony, resolution tendencies, counterpoint, and progressional norms

The direction the melody moves in relation to the bass line

Moves the melody in the opposite direction of the bass

When one voice remains on the same note and the other moves in either direction

When the bass and the soprano move in the same direction but at different intervals

Where the soprano and bass move in the same direction and at the same interval

Where you cant write the soprano voice lower than the alto or the alto voice lower than the tenor within the same chord

Where you dont want to write one voice higher than another voice has been in the previous chord

The visible reminder of the menu of chord member choices, appropriate doublings, and resolutions

The motion from the diminished fifth to a perfect fifth, especially in the soprano-bass pair

Soprano and tenor

Alto and bass

Soprano

the soprano is usually in the high end of her range

tenor is high

double the root

double the fifth

dont except for minor chords

never

• If V goes to I (i) or VI (vi), then Ti resolves upward to Do.

• If vii°/vii°7 or V7 goes to I (i) or VI (vi), then Ti resolves to Do and Fa resolves to Mi.

• If you have a seventh chord of any kind, then the seventh of the chord resolves downward or holds until it can.