Chapter 2: Ancient Near Eastern Art

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Ziggurats

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32 Terms

1

Ziggurats

The first great buildings of the ancient world; were made of baked mud, and they were tall, solid structures that dominated the flat landscape.

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2

Lascaux

A network of caves near the village of Montignac, in the department of Dordogne in southwestern France.

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3

Lamassus

A Mesopotamian celestial being with a human head, bull's body, and wings.

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4

Cuneiform

a system of writing in which the strokes are formed in a wedge or arrowhead shape

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5

Apotropaic

having the power to ward off evil or bad luck

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6

Sumerian art

It has realistic-look-ing figures acting out identifiable narratives.

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7

Negative space

empty space around an object or a person, such as the cut-out areas between a figure’s legs or arms of a sculpture

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8

Nudity

A sign of debasement; only slaves and prisoners are nude.

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9

Hierarchy of scale

a system of representation that expresses a person’s importance by the size of his or her representation in a work of art

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10

Local god

An advocate for a given city in the assembly of gods.

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11

gods

In the Sumerian world, the _____ symbolized powers that were manifest in nature.

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12

Temple

Became the center point of both civic and religious pride.

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13

Bent-axis plan

ascending the stairs requires angular changes of direction to reach the temple

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14

Cella

the main room of a temple where the god is housed

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15

Whitewash

was used to disguise the mud appearance; hence the modern name of White Temple.

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16

Uruk

May be the first true city in history; the first with monumental architecture.

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17

Anu

The god of the sky, the most important Sumerian deity.

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18

Votive

Offered in fulfillment of a vow or a pledge

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19

Ground line

a baseline upon which figures stand

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20

Ground plan

the map of a floor of a building

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21

Register

a horizontal band, often on top of another, that tells a narrative story

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22

Lapis lazuli

a deep-blue stone prized for its color

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23

Shallow relief sculpture

an Assyrian specialty, although the lamassus are virtually three-dimensional as they project noticeably from the walls they are attached to.

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24

Capital

the top element of a column

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25

Apadana

an audience hall in a Persian palace

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26

Hypostyle hall

An indication of one of the many cultures that inspired the complex.

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27
<p>White Temple and its ziggurat</p>

White Temple and its ziggurat

  • Buttresses spaced across the surface

  • tapers downward so that rainwater washes off

  • resembles a mountain

  • Bent-axis plan

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28
<p>Statues of votive figures</p>

Statues of votive figures

  • different heights

  • hands are folded - gesture of prayer

  • huge eyes; arms and feet cut away

  • placed in a temple to pray before a sculpture of a god.

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29
<p>Standard of Ur</p>

Standard of Ur

  • wood inlaid with shell, lapis lazuli, and red ­limestone

  • broad frontal shoulders; bodies in profile; twisted perspective

  • reflects extensive trading network

  • Has two sides: War Side and Peace Side

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30
<p>Code of Hammurabi</p>

Code of Hammurabi

  • Written in cuneiform | Akkadian language

  • One of the earliest law codes; 300 entries

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31
<p>Lamassu</p>

Lamassu

  • Human-headed winged animal guardian figures

  • Meant to hold up the walls and arch of a gate.

  • Meant to ward off enemies both visible and invisible.

  • Carved from a single piece of stone.

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32
<p>Apadana of Darius and Xerxes</p>

Apadana of Darius and Xerxes

  • Built for lavish receptions and festivals

  • proudly proclaim this complex as the seat of a great empire.

  • Built by Darius I and Xerxes I

  • Destroyed by Alexander the Great

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