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composer (badinerie)

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1

composer (badinerie)

johann sebastian bach

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2

era (badinerie)

baroque

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3

bach dates

1685-1750

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4

composition date (badinerie)

1738-39 (7 movements, last is badinerie)

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5

instrumentation (badinerie)

flute, string orchestra, harpsichord (basso continuo)

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6

tempo (badinerie)

allegro

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7

dynamics (badinerie)

mostly forte including use of terraced dynamics

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8

form and structure (badinerie)

binary form with each section repeated once (aabb)

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9

tonality (badinerie)

section a begins in b minor, ends in f sharp minor; section b does opposite

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10

harmony (badinerie)

diatonic, imperfect and perfect cadences throughout

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11

chords frequently used (badinerie)

with inversions

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12

section a modulates from

tonic to dominant minor

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13

neapolitan 6th chord

bar 35

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14

melody and pitch (badinerie)

based on 2 short musical ideas x and y

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15

ornamentation (badinerie)

trills, appoggiaturas, compositional device of sequences

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16

rhythm and metre (badinerie)

simple ostinato rhythms

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17

note length (badinerie)

mostly quavers and semi quavers

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18

time signature (badinerie)

2/4

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19

texture (badinerie)

homophonic, flute and cello provide main material

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20

first violin

participates occasionally

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21

second violin and

viola provide harmony

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22

section a length

sixteen bars

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23

motif x opens

the movement played by flute

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24

motif x descending

b minor arpeggio with quaver and semi quaver rhythm

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25

motif y

still on the flute

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26

motif y ascending

semiquaver figure of arpeggios and conjunct movement

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27

motif x returns

played by flute

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28

motif x again presented

by cellos in slightly modified way, a major

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29

motif x remains with

cellos more modified, f sharp minor

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30

motif y returns

in flute part with modified ending

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31

flute continues

presenting main melodic material

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32

flute extends

and modifies motif y ending in f sharp minor

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33

section b length

24 bars

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34

motif x (b) stated

by flute in f sharp minor

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35

motif x (b) modified and moves

to e minor played by cellos and flutes, inverted

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36

motif x (b) back in

the flute moving to d major

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37

motif y (b) in the

flute with modified ending

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38

transposed motif y (b)

flute continues melodic material, d major

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39

motif x (b) presented by

cellos in a modified version

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40

motif x (b) remains with

cellos again modified, returns to b minor

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41

motif x (b) developed further into

musical conversation between flute and first violin

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42

motif y (b) return in

flute part with modified start

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43

motif x (b) modified again

divided between cello and flute, inverted

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44

close of section b

tonic key, by cellos with further modified version on motif x

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45

appoggiatura

added note one step higher or lower than the main note

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46

baroque era

1600-1750

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47

basso continuo

figured bass, partially improvised accomp played above bassline usually by keyboard instrument

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48

inversion

relationship of its lowest note to the other notes in the chord

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49

neapolitan chord

major chord built on flattened supertonic of key - bar 35

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50

sequence

repetition of motif at different pitch in same voice or instrument

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