Chapter 6 - Harmonic Organization 2: Chords in Diatonic Contex

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26 Terms

1

chord

When a(n) ________ is in second inversion, the intervals above the bass are a sixth and a fourth.

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2

Subtonic

________ triad- The chord built on the seventh scale degree in natural minor.

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3

V7 chord

The ________ is the same in major and harmonic minor.

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4

lowercase Roman

Minor triads are indicated with ________ numbers.

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5

Tonic

________ triad- The chord build on the ________ note (G) in G Major.

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6

third inversion

A seventh chord in ________ has the seventh of the chord in the bass.

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7

Tonic triad

The chord build on the tonic note (G) in G Major

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8

Subtonic triad

The chord built on the seventh scale degree in natural minor

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9

Figured bass

Consists of the bass line and the Arabic numbers under the bass line that represent the intervals above the bass to be played

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10

Purpose of inversion symbols

To indicate the lowest-sounding note within a chord

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11

harmonic function of a triad

related to the scale degree on which is built

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12

Qualities of diatonic triads in a major key:

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13

most used form for harmonizing in a minor key.

harmonic form of minor

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14

Qualities of diatonic triads in harmonic minor:

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15

Commonly used triads from natural minor:

  • Major mediant (III)

  • VII

  • Subtonic

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16

When we compare the qualities in the diatonic major and harmonic minor scales

the major chord and the diminished chord are of the same quality in both.

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17

When a chord is in first inversion

  • the note that is the interval of a sixth above the bass is the root.

  • The inversion symbol is a superscript Arabic number 6 placed to the right of the Roman number.

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18

When a chord is in second inversion

  • the intervals above the bass are a sixth and a fourth.

  • The note that is a fourth above the bass is the root.

  • The inversion symbol is superscript 6/4 added to the Roman number chord symbols.

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19

Seventh chord

Contains four notes. All of them are unstable because the arrangement of tones contains an interval of a seventh.

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20

Notes of the seventh chord

  • Root

  • Third

  • Fifth

  • Seventh

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21
  • Five Basic Seventh Chords

  • Major seventh (major triad + major seventh)

  • Dominant seventh (major triad + minor seventh)

  • Minor seventh (minor triad + minor seventh)

  • Half-diminished seventh (diminished triad + minor seventh)

  • Fully-diminished seventh (diminished triad + diminished seventh)

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22

A seventh chord in first inversion

  • has the third of the chord in the bass.

  • The root of the chord is the interval of a sixth above the bass.

  • The inversion symbol is 6/5.

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23

A seventh chord in second inversion

  • has the fifth of the chord in the bass.

  • The root of the chord is the interval of a fourth above the bass, and the added seventh is a third above the bass.

  • The inversion symbol is 4/3.

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24

A seventh chord in third inversion

  • has the seventh of the chord in the bass.

  • The root of the chord is a second (the inversion of a seventh) above.

  • The inversion is written as 4/2 or 2/1.

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25

fully-diminished seventh chord

occurs on the leading tone in harmonic minor.

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26

V7 chord occurs where

only occurs on the dominant.

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