UNIT 3

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sensory adaptation

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134 Terms

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sensory adaptation

diminished sensitivity as a consequence of constant stimulation

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Weber's law

the principle that, to be perceived as different, two stimuli must differ by a constant minimum percentage, rather than a constant amount

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difference threshold

the minimum difference between two stimuli required for detection 50% of the time
- we experience this as a just noticeable difference (jnd)

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priming

the activation, often unconsciously, of certain associations, thus predisposing one's perception, memory, or response

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priming

the activation, often unconsciously, of certain associations, thus predisposing one's perception, memory, or response

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signal detection theory

a theory predicting how and when we detect the presence of a faint stimulus (signal) amid background stimulation (noise)
- assumes there is no single absolute threshold and that detection depends partly on a person's experience, expectations, motivation, and alertness

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absolute threshold

the minimum stimulation needed to detect a particular stimulus 50% of the time

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psychophysics

the study of relationships between the physical characteristics of stimuli, such as their intensity, and our psychological experience of them

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transduction

conversion of one form of energy into another
- in sensation, the transforming of stimulus energies, such as sights, sounds, and smells, into neural impulses our brain can interpret

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three basic steps to all our sensory systems

1. receive sensory stimulation, often using specialized receptor cells
2. transform that stimulation into neural impulses
3. deliver the neural information to our brain

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change blindness

failing to notice changes in the environment

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inattentional blindness

failing to see visible objects when our attention is directed elsewhere

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cocktail party effect

your ability to attend to only one voice among many, while also being able to detect your own name in an unattended voice

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selective attention

the focusing of conscious awareness on a particular stimulus

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top-down processing

information processing guided by higher-level mental processes, as when we construct perceptions drawing on our experience and expectations

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bottom-up processing

analysis that begins with the sensory receptors and works up to the brain's integration of sensory information
- starts at sensory receptors and works up to higher levels of processing

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perception

the process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events

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sensation

the process by which our sensory receptors and nervous system receive and represent stimulus energies from our environment

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context effects

a given stimulus may trigger radically different perceptions, partly because of our differing perceptual set, but also because of the immediate context

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schemas

concepts formed from experience that organize and allow us to interpret unfamiliar information

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perceptual set

a mental predisposition to perceive one thing and not another
- top-down processing

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what determines our perceptual set?

knowledge, experience, and expectations that form schemas

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how/why my gender be considered an example of perceptual set

names like David indicate a boy, blue indicates boy, pink indicates girl

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wavelength

the distance from the peak of one light/sound wave to the peak of the next
- shorter wavelength = higher frequency (blue)
- longer wavelength = lower frequency (red)

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amplitude

height of the light wave
- taller wavelength = brighter color
- shorter wavelength = duller color

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intensity

the amount of energy in a light or sound wave, which we perceive as brightness or loudness, as determined by the wave's amplitude

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hue

the dimension of color that is determined by the wavelength of light
- the color we experience (blue, green, etc.)

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sclera

the opaque outer coating of the eye that is made of collagen fibers, which gives the eyeball its white color
- protects the eye and gives it structural integrity

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cornea

protects the eye and bends light to provide focus
- light enters here

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pupil

the adjustable opening in the center of they eye through which light enters
- constricts in light, dilates in dark

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iris

ring of muscle tissue that forms the colored portion of the eye around the pupil and controls the size of the pupil opening
- responds to light intensity and even to inner emotions
- every human has an iris that is unique to them

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lens

transparent structure behind the pupil that changes shape to help focus images on the retina
- as we get older, our lens becomes less flexible, and we are forced to adjust the distance of the object we are trying to see

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retina

light-sensitive inner surface of the eye, containing the receptor rods and cones plus layers of neurons that begin the processing of visual information

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accomodation

the process by which the eye's lens changes shape to focus near or far object son the retina

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rods

retinal receptors that detect black, white, and gray
- necessary for peripheral and twilight vision, when cones don't respond

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cones

retinal receptors that are concentrated near the center of the retina and that function in daylight or in well-lit conditions
- detect fine detail and give rise to color sensations

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optic nerve

the nerve that carries neural impulses from the eye to the brain

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blind spot

the point at which the optic nerve leaves the eye, creating a 'blind' spot because no receptor cells are located there

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fovea

the central focal point in the retina, around which the eye's cones cluster

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feature detectors

nerve cells in the brain that respond to specific features of the stimulus, such as shape, angle, or movement
- greatly helps with facial recognition

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parallel processing

the processing of many aspects of a problem simultaneously
- brain's natural mode of information processing for many functions, including vision
- contrasts with the step-by-step (serial) processing of most computers and of conscious problem solving

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young-helmholtz trichromatic theory

the theory that the retina contains three different color receptors - one most sensitive to red, one to green, one to blue - which, when stimulated in combination, can produce the perception of any color

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opponent-processing theory

the theory that opposing retinal processes (red-green, yellow-blue, white-black) enable color vision
- some cells are stimulated by green and inhibited by red, others are inhibited by green and stimulated by red

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3 main eye structures

normal, myopic, hyperopic

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normal structure

correct eye shape, light rays focus on retina

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myopic structure

nearsighted, long eye shape, light rays focus in front of retina

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hyperopic structure

farsighted, short eye shape, light rays focus behind retina

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visual transduction

process by which light gets translated into electrical signals and sent to the brain for neural processing

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ganglion cells

neurons that relay information from the retina to the brain via the optic nerve (made up on ganglion axons)

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bipolar cells

one of the main retinal interneurons and provide the main pathways from photoreceptors to ganglion cells

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photochemical reaction

a chemical reaction that is triggered when light energy is absorbed by a substance's molecules
- leads molecules to experience a temporary excited state, which ends up activating the eye's bipolar and ganglion cells

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photoreceptors

specialized neurons found in the retina (rods and cones) that help to convert the light into electrical signals which stimulate physiological processes
- signals from the photoreceptors are sent through the optic nerve and up to the brain to be processed

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gestalt

an organized whole
- Gestalt psychologists emphasized our tendency to integrate pieces of information into meaningful wholes

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gestalt approach

our mind is constantly working to make order out of chaos

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fundamental truth of psychology

perception is not just a capture of what we see, but we filter incoming information and construct perceptions. mind matters!

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figure-ground

the organization of the visual field into objects (figures) that stand out from their surroundings (ground)

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grouping

the perceptual tendency to organize stimuli into coherent groups

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3 examples of grouping

proximity, continuity, closure

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proximity

group nearby figures together

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continuity

perceive smooth, continuous patterns rather than discontinuous ones

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closure

fill in gaps to create a complete, whole object

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depth perception

the ability to see objects in three dimensions although the images that strike the retina are two dimensional
- allows us to judge distance

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visual cliff

a laboratory device for testing depth perception in infants and young animals

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critical period of sensory development

a time during early postnatal life when the visual system (and other sensory functions) matures and develops within mammals
- usually first 5-6 years of life

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binocular vision

a type of vision in which an animal has two functioning eyes capable of facing the same direction to perceive a single 3D image of its surroundings

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convergence

difference in the direction of eyes

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binocular cues

depth cues, such as retinal disparity, that depend on the use of two eyes

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retinal disparity

a binocular cue for perceiving depth
- by comparing images from the retinas in the two eyes, the brain computes distance - the greater the disparity (difference) between the two objects, the closer the object

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monocular cues

depth cues, such as interposition and linear perspective, available to either eye alone
the way in which each of your eyes takes in visual information
- is used to judge distance, depth, and 3D space

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relative height

higher objects are perceived as further away

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relative size

if we know that two objects are the same size, we perceive the one that is furthest away as being smaller than the other

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the stroop effect

our tendency to experience difficulty naming a physical color when it is used to spell the name of a different color

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perceptual adaptation

in vision, the ability to adjust to an artificially displaced or even inverted visual field

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size constancy

perceive objects as having a constant size, even while our distance from them varies

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shape constancy

perceive the form of familiar objects as constant even while our retinas receive changing images of them

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brightness/lightness constancy

we perceive an object as having a constant brightness even while its illumination varies
- depends on context

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color constancy

perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object

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perceptual constancy

the ability to recognize objects without being deceived by retinal changes (color, brightness, shape, size, distance, or angle)

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79

phi phenomenon

an illusion of movement created when two or more adjacent lights blink on and off in quick succession

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80

stroboscopic movement

continuous movement in a rapid series of slightly varying images

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light and shadow

shading can produce the perception of depth or elevation

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relative motion

an object's motion/speed with respect to a particular point (any other object that is moving or stationary)

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linear perspective

the sharper the angle of convergence (the more acute), the more distant it is

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interposition

the object that blocks the other is perceived as closer

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audition

the sense or act of hearing

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86

how does the amplitude of sound waves affect what we hear?

the amplitude of sound waves determines their loudness

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frequency

the number of complete wavelengths that pass a point in a given time

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pitch

a tone’s experienced highness or lowness, depends on frequency

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long waves = _______
frequency = ________ pitch

low,low

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decibels

measurement of sound, increase in tenfold

  • threshold = 0 decibels

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91

vestibular system

semicircular canals that have nothing to do with our hearing
- associated with balance and body position

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outer ear

pinna and auditory canal

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eardrum

a tight membrane, which vibrates from the waves channeled through the auditory canal from the visible outer ear

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auditory canal

the narrow 'funnel-like' passageway that connects the outer ear to the middle ear and sends traveling sound waves down to the eardrum

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pinna

visible part of the ear

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middle ear

the chamber between the eardrum and cochlea containing 3 tiny bones (hammer, anvil, stirrup) that concentrate the vibrations of the eardrum on the cochlea's oval window (membrane)

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ossides

hammer, anvil, stirrup - 3 tiny bones that increase the vibrations from the eardrum and transmit them to the cochlea through the oval window

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oval window

a connective tissue membrane opening, located at the end of the middle ear and the beginning of the inner ear
- where the stirrup connects to the cochlea

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cochlea

a coiled, bony, fluid-filled tube in the inner ear
- sound waves traveling through the cochlear fluid trigger nerve impulses

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inner ear

the innermost part of the ear, containing the cochlea, semicircular canals, and vestibular sacs

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