Egyptian Art Vocabulary

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Amarna style

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23 Terms

1

Amarna style

art created during the reign of Akhenaten, which features a more relaxed figure style than in Old and Middle Kingdom art

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2

Ankh

an Egyptian symbol of life

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3

Axial plan

a building with an elongated ground plan

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4

Clerestory

a roof that rises above lower roofs and thus has window space beneath

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5

Engaged column

a column that is not freestanding but attached to a wall

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6

Ground line

a baseline upon which figures stand

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7

Hierarchy of scale

a system of representation that expresses a person’s importance by the size of his or her representation in a work of art

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8

Hieroglyphics

Egyptian writing using symbols or pictures as characters

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9

Hypostyle

a hall that has a roof supported by a dense thicket of columns

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10

In situ

a Latin expression that means that something is in its original location

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11

Ka

the soul, or spiritual essence, of a human being that either ascends to heaven or can live in an Egyptian statue itself

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12

Mastaba

Arabic for “bench”, a low, flat-roofed Egyptian tomb with sides sloping down to the ground

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13

Necropolis

literally, a “city of the dead”, a large burial area

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14

Papyrus

a tall aquatic plant whose fiber is used as a writing surface in ancient Egypt

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15

Peristyle

a colonnade surrounding a building or enclosing a courtyard

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16

Pharaoh

a king of ancient Egypt

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17

Pylon

a monumental gateway to an Egyptian temple marked by two flat, sloping walls between which is a smaller entrance

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18

Register

a horizontal band, often on top of another, that tells a narrative story

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19

Relief sculpture

sculpture that projects from a flat background. A very shallow relief is called a bas-relief

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20

Reserve column

a column that is cut away from rock but has no support function

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21

Sarcophagus

a stone coffin

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22

Stylized

a schematic, nonrealistic manner of representing the visible world and its contents, abstracted from the way that they appear in nature

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23

Sunken relief

a carving in which the outlines of figures are deeply carved into a surface so that the figures seem to project forward

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