Vignola was chosen as the architect for the two-story design that Cardinal Farnese latures was abandoned for.
After Vignola together the two stories of the central block, Giacomo della Porta finished the dome and sponds with the nave elevation.
Centrally aligned worship.
Vignola designed a wide, barrel-vaulted naves break into the level above, leading the eye with shallow, connected side chapels.
There are only truncated transepts within the line of Cardinal Farnese, the patron, and the Jesuits, and no upward aisles to the cartouches with coats of arms.
Discuss Julius II's efforts to aggrandize the city of Florence were oriented toward drawing, but Venice Rome and create a new golden age of papal art.
Focus your answer on at least two works discussing specific works from each tradition in that he commissioned one in painting and the other.
Two paintings commissioned by a powerful political figure combine classical and allegorical themes in unusual ways.
Each addresses a group.
Evaluate how the style of presentation relates to the traditions and objectives of Florentine art during the period in which it was painted and compare the nature of the message each painting presents.