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Literary Terms

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59 Terms
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allegory
a literary work with two or more levels of meaning - one literal and one or more symbolic levels. Events, settings, objects or characters in allegory stand for ideas or qualities beyond themselves.
alliteration
repetition of initial consonant sounds
allusion
reference to well-known person, place, event, literary work or work of art, which the author expects the reader to be familiar with
antagonist
character or force in conflict with protagonist
assonance
repetition of vowel sounds in stressed syllables containing dissimilar consonant sounds
blank verse
poetry written in unrhymed iambic pentameter lines (or in different precise meter). Begun in 1500, used by Shakespeare and Milton
caricature
distorted or exaggerated portrayal of a person, used to ridicule personal flaws and general social failings
character
dynamic: one who changes (ex: Sydney Carton) static: one who does not change (ex: Lucie Manette)
Characterization
the act of creating and developing a character Direct: author explicitly states his or her traits Indirect: author reveals character's traits by some other means, such as dialogue, describing what he or she does, describing his/her appearance, through thoughts of other characters, etc
climax
high point of interest or suspense in literary work
conceit
unusual and surprising comparison between 2 very different things, often basis for whole poem (extended metaphor)
conflict
struggle between two opposing forces, either internal or external
connotation
association that a word calls to mind + word's dictionary meaning
denotation
word's dictionary meaning
denouement
anything that happens after resolution of plot, ties up loose ends, conflict is over and consequences for protagonist are already decided
diction
word choice
ekphrasis
literary description of a work of art, more specifically a poem that is a vivid description of a scene or work of art, means description in Greek (ex: "Ode on a Grecian Urn")
elegy
solemn and formal lyric poem about death
epigraph
quotation that appears at beginning of a literary work, generally introduces a motif or theme that is developed in work itself
exposition
writing or speech that explains, informs, or present information
farce
a kind of comedy that features physical horseplay, stereotypical characters, and absurd plots
figurative language
writing or speech not meant to be interpreted literally
foil
character who provides contrast to another character, thus intensifying the impact of that other character
foreshadowing
use of clues in a story that suggest events that have yet to occur. often done to create suspense or to prepare the audience for the eventual outcome of events
free verse
poetry without a consistent rhyme scheme, metrical pattern, or musical form. became popular in 19th century. Whitman frequently used this.
hero
character whose actions are inspiring or noble
hyperbole
deliberate exaggeration or overstatement
imagery
descriptive language used in literature to re-create sensory experiences, helps make writing concrete rather than abstract
in media res
story-telling method in which story begins in middle of action
irony
dramatic: when audience knows something characters don't verbal: words are used to suggest the opposite of their usual meaning irony of situation: an event occurs that directly contradicts expectations of characters, reader, or audience
juxtaposition
to place side by side for sake of comparision
metaphor
figure of speech in which one thing is spoken of as though it were something else, comparison is suggested or implied
mood
atmosphere, feeling created in reader by literary work or passage
motif
recurring literary convention or an element that is repeated with a literary work
mythology
system of hereditary stories of ancient origin which were once believed to be true by a particular cultural group, and which serve to explain why the world is as it is and things happen as they do, to provide a rationale for social customs and observances, and to establish the sanctions for the rules by which people conduct their lives
onomatopoeia
use of words that imitate sounds (ex: boom, crack, pop)
oxymoron
figure of speech that fuses two contradictory or opposing ideas (ex: happy misery)
paradox
statement that seems to be contradictory but that actually presents a truth (ex: Death, thou shalt die.)
parody
humorous, mocking imitation of something in a literary work
pastoral
literary work that deals with pleasures of a simple, rural life or with escape to a simpler place or time
personification
type of figurative language in which nonhuman subject is given human characterisitics
plot
what happens in story, sequence of events
prose
ordinary form of written language (works that aren't poetry, drama, or song)
protagonist
main character of literary work
pun
play on words, may use word or phrase that has two different meanings or two different words or phrases with same sound
romance
story that presents remote or imaginative incidents rather than ordinary, realistic experience
satire
writing that ridicules or holds up to contempt the faults of individuals or of groups. use of humor, irony, exaggeration, or ridicule to expose and to criticize people's stupidity or vices
setting
time and place of the action
simile
figure of speech that compares two dissimilar things by using key words like and as
soliloquy
long speech made by character who is along and reveals his or her private thoughts and feelings to the audience/reader
stanza
group of lines in poem considered as a unit
stream of consciousness
literary technique that presents thoughts as if they were coming directly from a character's mind
subplot
second, less important plot within a story or play
symbol
anything that stands for or represents something else
syntax
sequence in which words are put together to form sentences. syntactic languages (English) use word order to indicate word relationships. inflected languages (Greek or Latin) use word endings and other inflections to indicate relationship
theme
central idea, concern, or purpose in literary work
tone
writer's attitude towards readers and towards subject
tragedy
according to Aristotle, is "the imitation of an action that is serious and also, having magnitude, complete in itself" involving "incidents arousing pity and fear, wherewith to accomplish the catharsis of such emotions." Abrams 332,
tragic hero
protagonist of tragedy, most effectively evoke both audience's pity and terror if he is neither thoroughly good nor bad but a mixture of both