Music History Test 3

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characteristics of Renaissance music

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42 Terms

1

characteristics of Renaissance music

words and muisc: text painting or text depiction; grammar/structure effected music directly texture: polyphonic (through imitation) or homorhythmic

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2

Petrucci

developed polyphonic music printing

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3

music printing

Harmonice Musices Odhecaton- the first book polyphonic music to be printed

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4

english music

spread to France; constant battle became to influence France with music

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5

Contenance angloise

"English Quality"; more chordal sounding

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6

Carol

kind of song that was in strophic with refrain form

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7

John Dunstable

developed technique of paraphrase

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8

Binchois

from Burgundy; composed secular chanson

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9

Guillaume DuFay

singer/composer/church official; degree in Cannon Law; spent most of career in Italy

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10

Isorhythmic Motet (DuFay)

Nuper Rosarum Flores; lower 2 voices are isorhythmic

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11

Fauxbourdon

when you take a chant melody and add harmony a 3rd below and. 4th above. (sounds like a series of inverted triads)

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12

Alternatim performance

when you alternate voices; plain chant in one verse, polyphonic chant in the next verse

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13

Types of Mass Cycles

Plainsong Mass- Oldest cycle; each movement uses as its base a corresponding chant (base your kyrie on Kyrie chant)

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14

motto mass/head motive

Each movement begins with same musical idea

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15

Cantus Firmus/Tenor

Each movement constructed around same melody placed in Tenor voice Cantus Firmus- when you take a preexisting melody that is used as a base

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16

Parody Mass

Take a chunk of all the voices of a preexisting polyphonic work and make that the base of your mass

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17

Paraphrase Mass

paraphrase a chant melody and use it as the base for your mass

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18

Jean de Ockeghem

international famous composer; studied with DuFay and possibly Binchois; most famous for job at the French Royal Chapel; skilled at using intellectual devices such as canon

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19

Canon/Mensuration canon

Canon- rule or instruction for realizing several parts out of one that is noted Mensuration canon- when you have a melody but you give it 2 or more different mensuration signs (Missa Prolationum ((most famous composition)))

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20

Heinrich Isaac

Internationally famous during his lifetime; worked for Lorenzo d'Medici

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21

Choralis Constantinus

contains (hundreds) motets settings of the proper text of the mass for the whole church year

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22

Josquin des Prez characteristics

structure of music is always related to the text; primary technique is imitation; extensive use of text depiction and borrowed material

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23

text depiction

reflecting images of the text in the music

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24

Josquin des Prez Motet

Ave Maria ... virgo serena

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25

Josquin Prez Masses

Missa Pange lingua

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26

Martin Luther

Drew up a list of 95 topics to debate that he thought were wrong with the Catholic church (caused a split in the church); created his own church (reformation church); believed music was a gift from God and doctrine of ethos

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27

Chorale and Sources

Most significant contribution of the reformation to music was the development of the chorale. Chorale: strophic hymn with a text and melody sung in unison. Created from 4 sources: adaptations of Gregorian chant, german devotional songs, contrafactum, and chorales newly composed in style of popular songs (bar form)

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28

Contrafactum

secular songs, such as folk songs, were adapted by giving them new texts

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29

Styles of Chorale Settings

tenorlied style: melody in tenor with the other voices in counterpoint Cantional style: melody in the soprano Chorale motet: use a paraphrased chorale melody as the basis for your motet

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30

Metrical Psalms

translate into french, turn it into metrical poetry, sung by congregation, unaccompanied

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31

Psalter

books of metrical psalms that people could sing out of

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32

Great Service

Elaborate polyphony; contrapuntal and melismatic music; written for large settings and groups

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33

Short Service

Homorhythmic and syllabic music; Simpler and easier to sing

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34

Verse Anthem

Anthem with verse for soloists, choir, and sometimes instrumental ensembles

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35

Full Anthem

anthem for unaccompanied choir

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36

G.P da Palestrina Characteristics

long-breathed, easily singable melodies that move by steps or easy leaps; consonant sonorities w/ carefully controlled dissonance; equality of parts; use of familiar style, syllabic text setting, use of subsets of the total # of voices; subtle rhythmic variety based on textual accentuation

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37

T.L de Victoria

same characteristics as Palestrina, only difference is he used more chromatic harmonies; "went outside the mode more than Palestrina"; Parody Mass- Missa O Magnum Mysterium

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38

Orlando di Lasso

Most famous for composing over 700 sacred and secular motets; Characteristics- Text depiction was his most outstanding one, also known for expressive and tasteful music

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39

Franco-Flemish School

Characteristics- equality of voices, prevailing texture is imitative polyphony w/ overlapping cadences, careful dissonance treatment, most in duple meter, and # of values went 4/5/6

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40

Counter Reformation

efforts to address the problems addressed by Martin Luther

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41

Council of Trent

meeting of church leaders, discussed everything regarding the church including music

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42

Music (Council of Trent)

Abolished all but 4 sequences: Dies Irae, Abolishes secular/ profane influences, overall effect: confirmation of FF style/polyphony

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