Producing for TV and New Media: Glossary - T-Z

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Time-of-day time code

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33 Terms

1

Time-of-day time code

TC that can be set in the camera itself that records the actual time of day as opposed to an arbitrary time code numbering system

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2

Thirteen outline

A comprehensive outline of the first thirteen episodes of a series, agreed upon by the producers, prior to the start of production

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3

Three-point lighting

A standard lighting set up that utilizes the three sources of lighting—the key light, fill lights, and back lights

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4

Top sheet

A quick summary of the costs in each department that provides an overview of necessary information at a glance

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5

Tracking shot

Usually accomplished by using a dolly, crane, or a jib, a tracking shot travels forward, backward, or laterally through space in order to capture movement

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6

Trades

Entertainment publications, such as Variety and The Hollywood Reporter

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7

Transition

In editing, the moving of one shot or scene to the next by using a cut, dissolve, wipe, etc.

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8

TRT

The “total running time” of a program or show

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9

Treatment

An abbreviated narrative outline of a script, story, or idea, shorter in length than a script

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10

Turnaround

When a studio or network has abandoned a project and removed its support for further development, a producer is free to take it to another studio who can buy it by reimbursing the original studio or network for any incurred costs

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11

Turnaround time

Actors’ unions requirements for a 12-hour break of time between the end of one shooting day and the call time for the next day

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12

Two-shot

A scene with two actors in the frame. Three-shots and four-shots have three and four actors in the frame, respectively

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13

Underlighting

Placing lights under the people or objects in a scene

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14

Up-fronts

An annual gathering of the networks and their affiliates, during which new shows and pilots are unveiled and camaraderie is maintained

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15

UPM (Unit Production Manager)

Acts as the right hand of the producer(s), and works with administrative below-the-line issues, technical equipment, and the needs of the crew

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16

UPM

Unit Production Manager

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17

VCR

A machine that can play and/or record on half-inch VHS tapes

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18

VTR

A videotape recorder

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19

Video monitor

In production, a small video monitor attached by a cable to each camera that shows what the camera sees as it’s being shot, and can also provide instant playback of what was just shot

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20

Visible time code (also called Vizcode or VTC)

Time code that matches the original footage, and is visible on a screen

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21

Voice-over (VO)

A recorded voice of a commentator in a documentary or a narrator of a storyline

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22

VO

Voice-over

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23

Wardrobe designer

Does a wardrobe breakdown of all characters and their roles, their time period, the time that wardrobe or costumes are needed, and more

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24

Wardrobe supervisor

Supervises the costume department with the wardrobe designer, keeps track of the budget, maintains the wardrobe, and more

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25

WGA

Writers Guild of America, the union that represents and protects writers of film, television, and radio projects

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26

White balance

In shooting video, a white card or piece of paper is often held in front of the camera lens to adjust its sensitivity to a light source

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27

Windscreen

An absorbent fuzzy material that can be wrapped around a microphone. The windscreen helps deflect or absorb the noise from wind or breezes

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28

Wipe

A special effects transition used in video editing that wipes out one scene and brings in another, such as a page turn or one image that drops down over another

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29

Wireless microphone

Also known as a radio microphone, a cordless microphone that operates on a battery-powered pack hidden on the person speaking, under clothing

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30

Wrangler

A specially trained person who manages the activities and work of a specific kind of talent, such as a child, an animal, or a stunt person

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31

Wrap the project

Tying up all the loose ends, after completion of the production

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32

Writer

The writer creates the story, action, and characters for TV narrative programs, like sitcoms, drama series, and mini-series. They may have created the original material, or may have been brought in to work with an existing script or story outline

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33

Zoom

A movement by the camera lens that allows it to move quickly either into an object (zoom in) or away from an object (zoom out)

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