Chapter 5: Welcome to Reality: Legalities and Rights from ''Producing for TV and New Media''
Licensing
The producer (or the producer’s employer) pays a fee for the right to use this copyrighted material
When a body of work has been copyrighted, the rights to use it in a project must be either...
Paid for outright
Licensed for a fee
A Sync (synchronization) license...
Gives you the right to “sync up” or match a song or music to your visual image
The publisher represents the composer of the music and the songwriter
The publisher owns and grants the right to include the actual composition or piece of music that is synchronized to the picture
The songwriter(s) of that composition assigns his copyright to the publisher who shares any royalties; the songwriter(s) might also retain the rights to grant the license
Sync
Synchronization
A Master Use license...
Gives you the right to play a specific recording in your content
The record label owns the actual audio recording -
The label owns and grants the right to include a specific recording of the composition in timed relation to the picture or image
The artist(s) might also need to grant a separate license
Stock footage specifically shot for resale...
Generally shot in high-quality video or film
Alternative to costly aerial shots of cities or landscapes, time-lapse footage, or establishing shots such as the front of Buckingham Palace or the Hollywood sign
Can provide a realistic-appearing background for blue-screen backgrounds, used in creating virtual sets
Both the publishers and the record labels want to know...
How do you plan to use their music
What geographical territories do the rights cover, such as only North American rights and/or world rights
For how long do you want to retain the license
A music cue sheet lists...
The title of each composition
The use and timing of each music cue
The composer(s)
Publisher(s)
Their performing rights affiliation
Publishers require...
The title of the composition
Its writer(s)
Its publisher(s)
Record labels require...
The title of the recorded track
The performing artist
The source of the recorded track
ASCAP
American Society of Composers, Authors, and Publishers
BMI
Broadcast Music Incorporated
ASCAP (American Society of Composers, Authors, and Publishers) or the BMI (Broadcast Music Incorporated) use the cue sheets to...
Identify the publishers and composers who are to be paid
Know what percentage of the royalties they’re entitled to receive
It is the job of the producer to...
Legally protect every single component with some form of permission attached
Permission to use it might be granted for...
Free
Fee
A specified amount of time
Getting the permission applies to almost every aspect of your project...
The script
Music
Clips
Images
Photographs
Products with brand names
Props
There are two kinds of music licenses in the United States...
A Sync (synchronization) license
A Master Use license
If you didn’t create your project idea, it is owned by someone else. If you want to use it, you first have to...
Get permission
Depending on its end use, the stock footage...
Can be licensed
Often can be purchased and/or come royalty-free
Stock footage can come from organizations that sell...
Archived footage with a historical focus:
Usually shot in 16 or 35-mm film
The footage includes historic events, old newsreel footage, documentary material, clips, or whole programs from early films and television