hamlet critic quotes

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We need history to explain our individuality

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1

We need history to explain our individuality

Catherine Belsey on individuality

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2

Shakespeare constructs Gertrude through the eyes of Hamlet, who sees her new relationship as one of lust, not strategy

Clare Gunns on gertrude

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3

the presence of Polonius indicates Claudius’ own mistrust of Gerturde

Clare Gunns on claudius and gertrude

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4

The idea of human existence is relevant forever

A.R Whybrow

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5

unbridled imagination shows ways of breaking through unbearable social restraints

Maurice Chaney

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6

the character’s madness disguises their true meaning

mack on madness

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7

Hamlet doesn’t seek revenge, he only wants to remember his father

Kerngan

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8

hamlet struggles to kill Claudius because he identifies with him too muc

ernest jones

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9

while Ophelia is objectified she is still central though this is only because she is eternally linked with hamlet- which is in itself further objectification

Lacan

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10

Hamlet is the mona lisa of literature

t.s eliot

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11

the play is a continuing pattern of revenge and death

alexander (18th century)

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12

death or a sinister ideal

Von Goethe on the ghost

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13

malign

proser on the ghost

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14

from the beginning, Hamlet is obsessed with suicide

paul carter

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15

hamlet is a play about death. or rather it is a play about the survival of the individual in the face of death, death is the picture, not the frame

fintan o’toole

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16

polonius trained his daughter to be obedient and chaste and is able to use her as a piece of bait for spying

rebecca smith

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17

revenge is wild justice

francis bacon

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18

hamlet is more of a thinker than a doer

coleridge

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19

instincts are towards undoing rather than doing

emma smith

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20

all duties seem holy for hamlet

von goethe on hamlet

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21

hamlet is a prince who finds himself an outcast in his own land

billington

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22

his whole mind is poisoned

a.c bradley

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23

hamlet’s failure to act is seen as femenine

catherine belsey on hamlet’s action

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24

modern audiences are suspicious of the use of violence and do not care for paternal loyalty

catherine belsey on the audience

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25

hamlet has morality without action, the king has action without morality

d.j snider

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26

we can imagine hamlet’s story without ophelia but ophelia literally has no story without hamlet

lee edwards

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27

claudius is merely a product of the barbaric era

wilson knight on claudius

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28

hamlet is rather an instrument than an agent

samuel johnson

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29

hamlet’s hesitation is right, the concept of blood revenge was the only thing

r.n watson

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30

hamlet alternates between lethargy and rage

gail kern pastor

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31

the nature of a tragedy is uncompensated suffering

david scott kastan

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32

piece of bait named ophelia

lacan

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33

indescribable charm

henry mackenzie (1780)

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34

hamlet is a figure of nihilism and death and has been poisoned by death

wilson knight on hamlet

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35

excellent diplomatist and king

wilson knight on claudius as a leader

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36

revenge…is an act of injustice on behalf of justice

catherine belsey on revenge and injustice

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37

revenge is always in excess of justice

catherine belsey on revenge

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38

soft, obedient, dependent, unimaginative women who is caught miserably

a.c bradley on ophelia

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39

romanticised symbol of fragility and madness

John Everrett Millais painting 1851

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40

protested against picture of ‘insipid little creature’

1914 anonymous actress

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41

in giving away her wild flowers…is symbolically deflowering herself

bridget lyons

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42

analytical knight

joe sutcliffe

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43

claudius is intelligent and well spoken…manipulative and dangerous

nicholas bonnet

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44

primarily a bitterly eloquent and princely avenger

john jump (early critic)

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45

truly suffering from a mental breakdown

henry levin

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46

women…two and only two choices: virgin and whore

kay stanton

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47

to possess her body is to possess the state

leonard tennenhouse

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48

many 19th and 20th century critics have neglected the political dimension of the play in favour of a personal one

thompson and taylor on critics

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49

feigned madness is a politically motivated in earlier iterations of the story

thompson and taylor on madness

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50

hamlets own misogyny remains an issue

thompson and taylor on hamlet

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51

part woman

Von Goethe on hamlet’s femininity

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52

ophelia complex - women, water and death

gaston bachelard

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53

critics and readers of hamlet have readily accepted hamlet’s view of Gertrude without question

carolyn heilbrun

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54

rosencrantz and guildenstern sacrifice the bond of human friendship

john french

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55

by examining horatio’s relationship with hamlet, we learn a lot about hamlet’s character

henry guilles

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56

hatred overwhelms any other emotion, it is impossible to display love

amelia woodford

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57

love is ever present it just needs one characters commitment

anne holland

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58

the personal is political

carol hanish

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59

unquiet walks of devil

thomas brown

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60

illusions of the mind unhinged by melancholy or devils masquerading as spirits to lure the person they address to damnation

campbell and quinn

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61

the ghost is the supreme reality, representative of the hidden ultimate power

maynard mack on ghost

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62

trivial and unspiritual and vulgar

d.h lawrence

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63

buffoonish statesman

thomas cranmer 1736

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64

questioned hamlet’s admirable qualities, feminist, focused on the treatment of poor ophelia

anna jameson 1800

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65

hamlet is characterised by failure

hegel 19th c.

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